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Between and Mortarboard

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304 UMMA Objects
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The work is a color photograph of three models framed by mauve curtains. The models form a pyramidal shape, with one model crouching in the foreground, two standing behind her leaning inward. At the top of the composition a small pink rose is pinned to the wall.
Guy Bourdin (French (culture or style))
Untitled
1976
Anonymous Gift: New York
1989/1.74.11
Four people donning costumes and masks standing in the foreground of a large grassy field. 
Diane Arbus (American (North American))
Untitled (4)
1970 – 1971
Museum Purchase
1978/1.174

Bruce Davidson
Untitled (Child with a Doll Carriage), from "Welsh Miners"
1981
Gift of Mr. and Mrs. Douglas M. Kenyon
1983/2.243.3
Around and behind a central image of a sewing machine are overlapping images of people, ships, a building fire, the Statue of Liberty, and small blocks of text.
Ida Abelman (American (North American))
My Father Reminisces
1937
Allocated by the U.S. Government Commissioned through the New Deal art projects
1943.2
Two children sit on the right side of the image and a third stands with hands under her apron. It is a very rough sketch with shading around the figures and very little discernable of faces.
Camille Pissarro
Children Talking (Enfants Causant)
1889
Museum Purchase
1963/2.20
A man in a broad-brimmed hat and a moustache sits sketching, his face largely in shadow. Around him are clustered groups of children absorbed in watching him draw. A single figure of a boy, standing slightly apart at the right, gazes out at the viewer.
James Abbott McNeill Whistler (American (North American))
The Title Page for "Douze Eaux Fortes d'après Nature" or the French Set
1856 – 1858
Bequest of Margaret Watson Parker
1954/1.332
A girl with long loose hair stands on a carpet in front of drapery. She is wearing a straw hat and cape over her dress; she is wearing flat shoes with rosettes on the top. She stands facing slightly to the left, although her eyes look at the viewer. Her left hand is not visible and her right hand holds the edge of her cape.
James Abbott McNeill Whistler (American (North American))
Annie Haden
1860
Bequest of Margaret Watson Parker
1954/1.344
An adolescent girl stands facing the viewer; her left leg is behind her and she holds a hoop in her right hand, her right leg steps through the hoop. Her long hair falls to her shoulders and she has bangs. To the right are the words, "I am Flo".
James Abbott McNeill Whistler (American (North American))
Florence Leyland
1868 – 1878
Bequest of Margaret Watson Parker
1954/1.356
A long street recedes at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
James Abbott McNeill Whistler (American (North American))
The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
1879 – 1880
Bequest of Margaret Watson Parker
1954/1.383
Four girls stand in, adjacent to, or in front of a dark open doorway. The doorway is cropped at the top, focusing on the figures. To the right is the partial view of a window.
James Abbott McNeill Whistler (American (North American))
Cottage Door
1886
Bequest of Margaret Watson Parker
1954/1.395
An open public space dominates the foreground of the image. In that space are several groups of children, particularly at the lower left of the image, a rooster at the lower right, and a water pump at the far side of the square just before the fence. Beyond is a street that recedes into the distance; on either side of the street are picturesque older buildings that face onto the square with banks of windows, overhangs, and steeply pitched rooflines.
James Abbott McNeill Whistler (American (North American))
The Cock and the Pump
1887
Bequest of Margaret Watson Parker
1954/1.398
The scene depicts a group of figures marching in the foreground from the left to the right of the composition. A thin sliver of land can be seen in the background. A man in the center carries a scythe over his shoulder. A woman in the center right carries a child on her back.
Käthe Kollwitz (German (culture, style, period))
The Weavers Cycle: March of the Weavers (from a set of 6 prints)
1897
Museum Purchase
1956/1.21
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